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1916 Rising 20th Century Commemoration Decade of Commemorations Irish Women National Museum of Ireland War of Independence

Photograph series; making the 1916 Rising anniversary exhibition, National Museum, 1941

 

Collections staff mount exhibition objects.

1941 saw Ireland commemorate the 25th Anniversary of the 1916 Rising, an event which saw the largest national marking of the event up to that point. The National Museum of Ireland in Kildare Street had already held two exhibitions on the Rising; Nellie Gifford-Donnelly, a founding member of the Irish Citizen Army who had also fought at St Stephen’s Green during Easter Week, curated the first 1916 Exhibition in 1932, timed to coincide with the Eucharistic Congress being held in Ireland that year. The display was installed again in 1935 with the title ‘Relics of the Fight for Freedom’. From that time, there has always been a display on the Rising, and renewed for every significant anniversary.

This series of photographs were taken during the installation of the 1941 exhibition as part of the preparations, with the images of the opening used to publicise the display in newspapers, and were found amongst the Easter Week and Historical Collections. They show the museum staff at work in the days before the anniversary, and the public visiting the displays.

View of The Exhibition to Commemorate the 25th Anniversary of the Rising, central court, Kildare Street, 1941.

 

The 1941 exhibition, which was simply named ‘The Exhibition to Commemorate the 25th Anniversary of the Rising’, was curated by Dr Gerard Hayes-McCoy, a renowned military historian, who had taken a curatorial post at the National Museum in 1939.

When Hayes McCoy took up this position he immediately began collecting objects which represented the rebellions and wars previous to 1916, which he felt was not only important to include in our national collections but also necessary in order to outline Ireland’s fight for independence during the centuries before 1916 to explain its roots.

Items representing the Fenian Movement, Robert Emmet, Joseph Holt and Charles Stewart Parnell were collected and exhibited for the first time. The exhibition location was moved from a side room into the central gallery space of the Kildare Street museum, normally only used for the archaeological collections such as the Ardagh Chalice and the Tara brooch.

Before it opened on Easter Saturday 12th April, newspapers across the country published the  National Museum’s press release on the exhibition’s content, written by Hayes McCoy.

Relics of 1916  Anniversary Exhibition
The National Museum, Kildare Street, Dublin, will be the scene of a striking exhibition of relics connected with the events and personalities of the Rising of Easter Week, 1916, and the succeeding epochs on the occasion of the 25th Anniversary. The special collection is already well known and since its foundation in 1935 has materially increased. The opportunity has been taken to display the Collection on a more extended basis utilising the large courts adjoining the museum entrance at Kildare Street now being prepared. No pains are being spared to make the Commemorative Exhibition worthy of the occasion and it is expected that a large public will find it worthwhile visiting when opened on Easter Saturday next, 12th April. The Museum Rotunda will be occupied with a notable group of exhibits illustrating by personal or other relics the political history of the country from some time after the battle of the Boyne when national thought took an entirely new trend till the beginning of the present century. It is intended to illustrate the historic background of the various movements out of which the Republican Movement arose and into which various lines of political thought were canalised. The exhibition proper will show the uniforms of the various military groups participating in the Rising and the aftermath, arms and other details of equipment, relics of the leaders and will include such varied items as a collection of watercolours of Countess Markievicz, the Childers Memorial Collection and numerous items illustrating the growth of the organisation. A small exhibit illustrative of the Gaelic League will also be included. It is hoped that the exhibition will lead to the inclusion in the Collection of numerous relics still in private hands. There will be no charge for admission.

 

The opening was attended by Thomas Derrig as the Minister for Education, Frank Fahy, Speaker of the Dail, Oscar Traynor as Minister of Defence, and Senator Margaret Pearse, also the sister of Patrick and William Pearse, who were photographed touring the exhibition.

Margaret Pearse and Oscar Traynor view weapons on display.

And inspecting the 1920 experimental mortar, or ‘big gun’, made in the basement of 198 Parnell Street, Dublin, underneath the bicycle shop and covert munitions factory of Archie Heron and Joseph Lawless, which exploded and killed Matt Furlong during testing.

Thomas Derrig, Oscar Traynor and Margaret Pearse view the IRA mortar, 1920.

 

The exhibition proved very popular with the public and the galleries were crowded with people viewing the relics of the period, such as this gentleman viewing (a little too closely for my comfort) an original 1916 Proclamation signed by Christopher Brady (printer), Michael Molloy and Liam O’Brien (compositors).

Viewing the 1916 Proclamation.

 

It was visited by school groups, as seen in this wonderful image of these girls in beautiful traditional Irish costume being shown a display of rifles used during the revolutionary period by a gallery attendant.

Girls in Irish dress view a display of rifles.

 

And this group posing for a photograph underneath the statue of Patrick Pearse and the Proclamation.

School group poses for a photograph at the 1916 Proclamation.

 

The Irish Army attended for special tours and talks.

Visit from an Irish Army Unit.

 

Some of my favourite photographs are those showing the collections and technical staff working to install the exhibition.  They show artefacts being mounted into wall cabinets, the uniforms of both Michael Collins and Liam Lynch being mounted onto mannequins, mounts being built, statues being restored, and large objects set on top of plinths.

Uniforms of Liam Lynch and Michael Collins being mounted onto mannequins.

 

Plinth building in the NMI Workshops.

 

Bust of female in Neo-Celtic style undergoes final restoration before installation.

 

The bust of Patrick Pearse is set onto its plinth.

 

This female collections staff member holds a document up for the camera, while beside her we see what is probably a tricolour flag and the umbrella given to Patrick Pearse by his students at St Enda’s School as a gift in 1910. I just recently photographed and re-housed this umbrella, and seeing photographs like this, with this same artefact 77 years ago, really brings home to me how we are all only temporary custodians of our national collections, which will continue to exist, be cared for, interpreted and displayed beyond our own lives in the museum.

Collections staff member installing exhibition, Patrick Pearse’s umbrella to the left.

 

Sadly I have no names to go with these faces. If you or anyone you know has any information on NMI staff in 1941 I would love to hear from you.

Science and Art Attendant, Kildare Street, 1941

© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.

Categories
1916 Rising 20th Century Commemoration Irish Labour Irish Women Social History Uncategorized

Bullet pierced picture, 5 Belvedere Place, Easter Week 1916

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As the fighting of Easter Week raged through parts of the city, other areas, even if they did not experience heavy combat, were also affected. The streets around the Volunteers’ garrison posts were dangerous places to be, particularly for the civilian inhabitants. O’Connell Street saw much looting in the first couple of days of the week as people took the opportunity to get new clothes and luxury items such as sweets, normally out of the reach of the poorer city centre residents. In most of these city centre locations it was the tenement dwellers who were caught in the crossfire between the rebels and the British Forces. Some, such as the men and boys in North King Street, were deliberately shot in the belief they were part of that rebel force. It was clear from early on that whether Dubliners took part in the Rising or not, their lives would be changed by it.

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This framed print, depicting a glamorous Edwardian lady wearing an elaborate hat, was hanging in the home of Annie Mac Swiney at No. 5 Belvedere Place, located between Mountjoy Square and the North Circular Road. On Thursday 27th April, a bullet entered the room, barely missing Annie, piercing the picture and lodging in the wall behind it. Both picture and bullet were kept as a memento, and it was donated to the National Museum in 1941, on the occasion of the 25th Anniversary.

Annie lived at 5 Belvedere Place with her sister Mary. The house was owned by Sarah Lowry who ran it as a boarding house, living in 11 rooms with her 5 lodgers. In the 1911 census her tenants included drapers’ assistants William Lane and Kathleen Murphy, Laura McGuire – a stenographer and typist who had been born in India, butcher’s assistant Patrick Sullivan and Christopher O’Conor who listed his occupation as Commissioner of New York – a wide cross-section of Dublin citizens!

5 Belvedere Place

The Mac Swiney sisters lived at 5.2, a self-contained, separate unit in the building. The sisters shared one room, in which all their household activities was carried out, from to preparing food to sleeping. In 1901 they had also been living in a single room in a nearby tenement at 20.8 Temple Street, but sharing the building with 23 other people; their situation was certainly improved in Belvedere Place.

Neither Annie nor Mary had ever married, but both women worked as stationers (sellers of books, paper and writing implements), with Annie also listed as being a relief stamper (who produced engraved or embossed designs on writing paper and envelopes). These were respectable trades for the women and would have provided them with enough to support a modest living together.

William O'Brien

Belvedere Place saw some disturbance due to its position off the North Circular Road, which had military cordons in the area. The street was also home to William O’Brien, living with his family and their boarders at No. 43. O’Brien, a tailor by trade, was also a founding member of the Irish Transport and General Workers’ Union alongside James Larkin, was highly involved in the 1913 Lockout in Dublin and was a close associate of James Connolly. He was not involved in the 1916 Rising, but his home was used as a safe house for a member of the Connolly family during the week.

O’Brien described what happened on the street, and at his home, in his witness statement to the Bureau of Military History.

‘On Wednesday 26th, a number of soldiers appeared near my residence and were, apparently, taking up positions along the North Circular Road down by Russell Street and Portland Row. At about 11.30 two men, whom I did not know came to my residence with Roderick Connolly, son of James Connolly, aged 15 years, who had been in the G.P.O. from Monday, with a request to my sister that she should look after him. At this time the soldiers appeared to be moving up Belvedere Place towards my residence and my sister and I thought that young Connolly might be safer in some other house than ours, I got my sister to cross the road to a friend’s and ask this lady if she would take Roderick Connolly. The lady agreed to do so, but reluctantly, and was apparently alarmed at the situation. In view of that I decided that it would, perhaps, be safer to keep young Connolly with us, and he remained.

While discussing with my sister the position of Roderick Connolly, I decided that if the British military searched the house, it would be undesirable to give the name of Connolly and so I arranged that he would give the name Carney with the Belfast address of Miss Winifred Carney who was in the G.P.O., so that if there was a check up on the address in Belfast it would look alright. I also coached him to say that he had come to Dublin to look for work and that he was lodging in 43 Belvedere Place and did not know me personally. A number of houses in Belvedere Place were searched, including the houses on both sides of mine, and one or two houses opposite. As soon as the soldiers had got into position, all the residents in Belvedere Place, and I presume in adjacent streets also, were told to keep all the windows completely closed and not to open any front doors. The state of affairs continued on Thursday; many of the soldiers sat on the doorsteps and on one occasion, when I opened the door, I was told immediately to keep it closed’.

It was on this day, Thursday, that the picture hanging on the Mac Swiney sisters’ wall was shot by the stray bullet coming into their home. Although there was no heavy fighting around this street, there was clearly some gunfire here, whether it was a deliberate shot that missed its target, a stray bullet from a neighbouring street, or if it was the nervous discharge of a weapon by an inexperienced young soldier.

1902.10 blog

The note that came with the picture stated that the bullet narrowly missed Annie, and it must have been a frightening and distressing experience for her. But this bullet pierced picture tells us about more than Annie’s near miss. It shows us how even when the civilians of Dublin stayed in their homes taking cover from the danger on the streets it was still not safe for them – bullets and shrapnel could enter their houses through doors and windows, and many civilians were indeed killed in their own homes, such as 37 year old William Connolly who died of gunshot wound to his chest at his home at 27 Usher’s Quay, and 13 year old Margaret Veale was killed in the bedroom of her home at 103 Haddington Road, off Northumberland Road, the site of the Battle of Mount Street.

We may never know the exact number of deaths that occurred during this week, but it is estimated that about 500 people were killed, the vast majority of these were civilian casualties, numbering just under 300.

There were also about 2500 people injured. From the beginning of the week, the injured and dead were brought to various hospitals around the city. Hundreds streamed into Jervis Street, Mercer’s, Sir Patrick Dun’s, St. Vincent’s, Mater Misericordiae, Holles Street and Dublin Castle hospitals, brought in by the men of the Fire Brigade and the doctors and nurses who ventured onto the dangerous streets to help the wounded, some losing their own lives in their attempts to save others. Some of the stories of these brave men and women were told in the Royal College of Surgeons’ Surgeons and Insurgents – RCSI and the Easter Rising, a fascinating and moving exhibition curated as part of the institution’s 2016/1916 Commemorative Programme.

EW-3122 red cross van at Stephens Green copy

As is the case with conflict that takes place in an urban area, it was the civilians – the citizens of Dublin – who suffered the greatest number of casualties during Easter Week. The loss of life, serious injury, losing family and loved ones, homes and livelihoods destroyed as their city burned; these events were to change their lives forever. Even a brief look at the Military Archives’ recently released files of the Property Losses (Ireland) Committee shows the impact on the ordinary citizens of Dublin.

This anniversary has been distinctive in its focus in a number of ways – along with the commemoration of the Rising’s leaders and participants, it has now properly recognised the participation of women in the Rising. It has also examined its effect on the lives of the civilians, especially the children, and their violent deaths. In many cases this wish to commemorate has come from the current citizens of Ireland who want to remember all who went through this traumatic event.

Annie Mac Swiney kept this bullet-pieced picture as a reminder of that event, and donated it to the National Museum with the hope that the people of Ireland would remember how she experienced 1916.

It will be on display in the National Museum of Ireland’s new 1916 exhibition – Proclaiming a Republic, at Collins Barracks, from next week.

© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.

Categories
1916 Rising Irish in World War I World War I

The tricolour flag from Jacob’s Biscuit Factory, 1916 Rising

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The Royal Irish Regiment with the Irish Republic flag at the Parnell Monument, O’Connell Street (NMI Collection)

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Irish Republic flag flying on the GPO, photograph taken from a Metropole Hotel window (NMI Collection)

Probably the most famous flag of the 1916 Rising is the Irish Republic flag, with its white and orange lettering on a green field background. It was flown from the roof of the GPO on the Princes Street corner, while the tricolour flew from the Henry Street side. The flag survived the destruction of O’Connell Street, and was taken as a war souvenir by the Royal Irish Regiment. It ended up in the collection of King George of England, and was stored in the Imperial War Museum until 1966 when it was presented from the British to the Irish governments for the 50th Anniversary of the Rising. It is now in the care of the National Museum of Ireland.

Another 1916 Rising flag that was presented to the National Museum was less fortunate in its survival. These fragments of the tricolour flag that flew from the tower of Jacob’s Biscuit Factory also made the journey from England to Ireland in 1966. They are glued onto a piece of paper from a photograph album, with the words ‘Fragments of the Sinn Fein Flag which flew over Jacob’s Biscuit Factory, Dublin, Easter 1916’.

blog Jacob's Flag
Fragments of the Jacob’s Factory flag (NMI Collection)

On the Monday morning of Easter week the rebels took a number of buildings across the city. They hoisted flags from the highest points of these buildings as a symbol of the new Republic which had just been declared. The GPO’s Irish Republic and the Irish Citizen Army’s Starry Plough flag, flown from the Imperial Hotel, were unique. The other garrisons flew either the Irish tricolour of green white and gold, or the gold harp on a green field background. Many were made beforehand in preparation for the Rising and stored at Liberty Hall, but the Jacob’s tricolour was made at the garrison post during the week.

The garrison at Jacob’s Biscuit Factory saw a limited amount of action that week (the story of Jacob’s garrison that week can be read here). The men were mostly involved in sniping at British soldiers coming towards the city from Portobello Barracks and providing other garrisons with both supplies and men.

EW-3146 Jacob's Flag
Jacob’s flag fragments (NMI Collection)

Thomas Meldon was part of the garrison, and says in his BMH witness statement that they had forgotten to bring their flag with them as they marched out of Liberty Hall on Monday morning. On Thursday they received a message that the GPO was burning, and that the flag had been shot or burnt down. They decided to make a flag, and the search for the materials began.

‘After some time a quantity of bunting was found, some green and some white, but, curious to relate, no orange – stalemate, but not defeat.

A further search brought to hand a bundle of yellow glass cloths, and the work of putting together the flag was commenced. Three men were entrusted with this task – George Ward, who has answered the last call-in; Derry Connell, who is still with us, and myself. On the completion it was discovered that the rope on the flagpole had been removed, so that the flag had to be nailed to the pole, needless to say, at the risk of life. Nevertheless, it was accomplished, and according to a little book by James Stephens, the author, on that memorable week, the flag was still flying long after the general surrender.’

In fact, James Stephens, in his book The Insurrection in Dublin, described how he could see the flag flying from Jacob’s from his kitchen window on Sunday, and saw it being hauled down at about 5pm that evening.

We also have some insight as to what was happening in the factory at that moment. Patrick Cushen, an employee of Jacob’s, came to the building on Sunday afternoon after the surrender of the Volunteers to protect the factory from looters. He left an account of the scene he found, including meeting John MacBride and the hauling down of the tricolour flag –

‘Having heard of the rebels’ surrender of the factory, I ran down and saw about 90 of them getting out the windows and a lot of the rabble getting up the rope that was hanging from the office window, and tumbling the sacks of flour out. I ran round to the Caretaker’s door in Peter Street and got in to the Bakehouse. I was surprised to see between 90 and 100 of the rebels standing and sitting about.

Then one of the officers of the rebels came in to the office and asked was there anyone to take charge of the place, and they told him that I would. He said there were a lot of bombs stored away that would blow up the whole place, and as they had done no damage they did not want the blame to be left on them if any careless person handled them. He brought me round and pointed them out to me, and we came back again and he showed me where there were some hand grenades stored in the little ovens in the King’s Own Room; he left me on guard of them and told me on peril of my life not to let anyone lay a hand on them until the military came in who knew what they were.

He went away after making himself known to me, and to my surprise I found myself introduced to Major MacBride for the first and last time, as we all know he paid for his mad acts with his life.

Well, he was not well gone when a volley of shots rang out all round about where I was standing, and the sprinkler main over my head was pierced through with a bullet, and the hat was knocked off my head by a bomb fired through the open window. Luckily for me it passed out through a window and exploded over the refrigerator outside. Well, I thought my last hour had come. Just then the soldiers came in and shouted ‘hands up’, and up they went in haste, then they came over and searched me, asked me who I was and what had me there. I told them that I was an employee of the firm and that I came in to stop the looting. They said, ‘if you are a member of the Works, you know where that d… rebel flag is hanging out, and get on to it at the point of the bayonet’.

I said ‘you are not one bit more eager to get it down than I am myself, but before I go I want to show you those weapons of danger – the bombs’. Then we started on our way to the flagstaff, and went to three or four doors but could not get in the way they were barricaded. At last we got in through the Cake Room and away to the tower: I would not let him get out for fear of the snipers, but I got the rope and lowered the flag and no sooner than it began to come down than 5 or 6 shots rang out – I do not think that man could have been prouder if he was after taking the Empire of Germany.

On our way back he told me that I was a lucky man that I had nothing in my hands when he came in or he would have shot me where I was standing.’

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Live bombs, made from tin cans, and various ammunition left in the Royal College of Surgeons (NMI Collection)

The card on which the Jacob’s flag fragments are attached takes up the story from where Patrick Cushen left it. On the back is written that it was a gift from a Mr Fowler who was present in the Hotel when the flag was brought in by a Canadian soldier, and relates the following story –

‘A certain time was given for the troops of the IRA to leave Jacob’s and then this Canadian solder entered the building with another soldier. They met a man in uniform and promptly shot him, then a man in civilian attire who they directed to show the way to the flag. On arrival the civilian was told to ‘hop it’, which he promptly did. The flag was hauled down and taken to the Hotel by the Canadian who cut it up into fragments and distributed them to those present’.

Though there is no further information given with the object to help us identify either the Canadian soldier or the hotel, we can conclude that the hotel mentioned is the Shelbourne Hotel on St Stephen’s Green. The Shelbourne had been taken over by British troops and used as a base from where they fought against the Irish Citizen Army, led by Michael Mallin and Countess Constance Markievicz, at the Green and the Royal College of Surgeons, and is around the corner from Jacob’s Factory.

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British Army troops outside the Shelbourne Hotel, St Stephen’s Green. Note the nurses on the balcony above the entrance (NMI Collection)

By Friday of Easter week, between soldiers in Irish Regiments in the British Army and the arrival of 10,000 British troops from England (diverted from the fighting in France), there were about 16,000 British Army soldiers in Dublin.

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British Army troops around St Stephen’s Green after the Rising (NMI Collection)

Our Canadian soldier however, was not one of those sent from England on the Wednesday and Thursday, nor was he stationed in Ireland. He was most likely in Dublin on leave from the war at the Front, as were many other soldiers from British Commonwealth nations such as Australia and New Zealand. When the Rising started, these soldiers reported for duty to their nearest barracks or to Trinity College which was also operating as an Officers Training Corp (and held a stock of arms), and so formed part of the body of soldiers involved in the suppression of the Rising.

However, the tale he told to those in the hotel that he had entered Jacob’s Factory and shot a man in uniform is not factual. Not only did Patrick Cushen not mention any incident of a shooting, but there are no records of any combatant death occurring around Jacob’s other than Irish Volunteer John O’Grady, who was mortally wounded around the Mount Street area while trying to reach the Boland’s Mills garrison. It seems the Canadian soldier’s statement was an ill-advised boast to his audience.

The Jacob’s Factory flag fragments will be on display in the National Museum of Ireland’s new exhibition Proclaiming a Republic: The 1916 Rising in the Riding School at Collins Barracks in March 2016, along with the rest of the museum’s collection of 1916 garrison flags, including the Irish Republic and Starry Plough. Though it is not be the only garrison flag in the museum’s collection, it is certainly the smallest.

© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.

Categories
1916 Rising

Nun’s Veil; Liam Mellows ‘on the run’, 1916 Rising

Veil used to Liam Mellows to escape Ireland, 1916 (NMI Collection EW.1108)

The Rising of Easter week 1916 came to an end on Saturday 29th April when Patrick Pearse led the official surrender of the Irish rebels to Brigadier General Lowe. The leaders of the Dublin garrisons each in turn surrendered as the news was brought to them over the next couple of days. The rank and file Volunteers had another option; to disappear back into their communities and continue to fight for independence. They would have had to have laid low, knowing that as they had been drilling (many in uniform) in public since 1914, they could be easily recognized by the authorities as an Irish Volunteer or Irish Citizen Army member. For some going ‘on the run’ was the only option. Liam Mellows, the leader of the Rising in Galway, was one such man.

This piece of black gossamer cloth fashioned into a veil, was worn by him as he escaped to England after some months on the run in Ireland. He was accompanied by Pauline Barry, and both travelled disguised as nuns.  It was donated to the National Museum of Ireland in 1941 by Sr Lelia MacKenna.

Though the 1916 Rising is remembered mostly as a Dublin event, it was intended by its planners to be countrywide. Branches of the Irish Volunteers and Cumann na mBan in towns and cities such as Cork, Enniscorthy, Limerick and Galway planned the insurrection with the Dublin leaders and awaited the arrival of weapons and ammunition into Ireland and for the final commanding orders to proceed with their plans. Those 20,000 weapons, organized by Roger Casement to come from Germany on the SS Aud, failed to reach Ireland when the ship was intercepted by the British Navy on 20th April. This was to be a major factor in the failure of the Rising.

Roger Casement and Crew of U19, Kerry, April 1916

The order to start the rebellion was quickly followed by Eoin MacNeill’s countermanding order on Saturday 22nd April. This confusion led to many Volunteers not turning out, or being unsure of what action to take. Outside Dublin, by the time couriers reached them with the news that the Rising had started in the capital the regional police and army had already been alerted, making action impossible. Because of this, armed insurrection took place in only a handful of areas outside Dublin; to the north Louth, Meath and Ashbourne saw fighting, and the Volunteers proceeded with the Rising in Enniscorthy and Galway.

In Galway about 2,000 men had joined the ranks of the Irish Volunteers which had been organized by Liam Mellows since March 1915. It drew much of its membership from the strong IRB movement in the area, led by Tom Kenny, which had its root in the region’s large agrarian community. Mellows had been arrested in Tullamore and deported to Reading Jail in March 1916, and Laurence Lardner was commanding the battalion in his absence. However, he escaped, arriving back in Ireland disguised as a priest on Easter Monday.

Early that morning the Galway Volunteers received news that the rising had been called off, only to be followed later that day with a message from Pearse that the rising had started in Dublin and the Volunteers were to proceed with their plans – to occupy police barracks and send men to Tralee to collect arms; a redundant task considering the arms had not landed. Many of the Volunteers that had gathered now dispersed, lessening their numbers, though others continued, attacking police barracks in Clarenbridge, Oranmore and Gort on Tuesday. On Wednesday a group of Volunteers came face to face with the Royal Irish Constabulary at Carnmore Crossroads. Shots were exchanged, and Patrick Whelan, aged 34, an RIC Constable with 8 and a half years of service, was killed in the confrontation.

The now 500 strong group of Volunteers under Mellows’ command gathered in Athenry, armed with a small number of rifles with about 30 rounds of ammunition each, old shotguns and other weapons. This lack of arms and ammunition ensured no further attacks could happen and they began retreating further to defensive positions. While camped at the abandoned big house at Lime Park rumours of a large oncoming military forces began to circulate, and the Volunteers finally disbanded at Moyode on Saturday.

Liam Mellows Irish Volunteer tunic, given to Pauline Barry as a token of thanks for her help in his escape (NMI Collection)

Most of the rank and file rebels were arrested and deported to English jails and Frongoch the following week. Laurence Lardner went into hiding in Belfast, Tom Kenny travelled to Boston and Mellows, along with two of his officers – Alfie Monaghan and Frank Hynes – decided to try to return to Dublin via Limerick. They were on the run for the next five months, escaping over the mountains of Derrybrian and into the mountains of Co. Clare.

Sean McNamara of Crusheen, Co. Clare described these months for Mellows, Monaghan and Hynes in his witness statement. Michael Maloney discovered the three men on his land in the Knockjames area and, being himself a member of the IRB and Irish Volunteers, brought them to a hut on the land and supplied them with food. He told McNamara as his commanding officer, who began to collect funds to support them, including over £100 from the Daly Family in Limerick. The men spent five months in the Knockjames mountains hut, and McNamara describes this time almost fondly – ‘Liam had his violin , there were visitors, music and songs, often a wrestling bout and always the Rosary in Irish led by Liam’. In October Volunteer Michael Fogarty brought the order from GHQ Dublin that Mellows should go to America. McNamara was to accompany Mellows to the house of Fr Michael Crowe, the parish priest of Kinvara, who had procured two nun’s habits which were to be used by Mellows and Miss Pauline Barry of Gort as a disguise. McNamara leaves them with Fr Crowe, who later reported that the two ‘nuns’ had attended mass at 6.30am the next morning, describing Mellows as ‘the most perfect nun in appearance that I ever saw’.

They then travelled as a group – Fr Crowe, Bluebell Powell dressed as a novice and the two nuns – by car to Cork, calling at hotels and convents along the way, Mellows’ disguise holding throughout the day.

Veil used to Liam Mellows to escape Ireland, 1916 (NMI Collection EW.1108)

Mellows travelled in this disguise from Cork to Liverpool, and made his way to the house of Republican Peter Murphy. Murphy worked for the Liverpool and Mersey District Shipping Federation, an Employers Association, and, along with his assistant, he began making arrangements to get Mellows onto a ship to New York. Mellows stayed in this house in Liverpool for two weeks. Nellie Gifford-Donnelly, one of the founding members of the Irish Citizen Army and a combatant in the College of Surgeons during the Rising, was also on the run there, waiting to get to America on a false passport.

Nellie Gifford-Donnelly

Murphy arranged for Mellows to sail as a coal trimmer under the name of John Atheridge on a tramp steamer. Nellie helped disguise Liam by dying his hair, and he joined a ship which sailed first to Barbados and then New York, arriving after 6 weeks at sea. During that journey Mellows had risen to the position of Leading Stoker before the ship reached New York in about December 1916.

Sketch of Liam Mellows disguised as a ship's stoker, dated 19 December 1916 (NMI Collection)

Mellows began work with John Devoy on the Gaelic American newspaper, but was soon arrested by the US authorities and imprisoned in the Manhattan Detention Complex in New York, charged with aiding the German enemy. He was released in 1918, and continued to tour the US, speaking for the Republican cause, and helped organize Eamon de Valera’s fundraising trip to America in 1919-20. On his return to Ireland he continued activity through the War of Independence and opposed the Anglo-Irish Treaty in 1921. He was one of the 77 men officially executed by the Irish Free State Forces, being shot on the morning of 8 December 1922, aged 30.

Liam Mellows, disguised, c. 1920 (NMI Collection)

It is sometimes difficult to square this strange relic with Liam Mellows. There is no denying that there is an element of humour to this story, which is not normally associated with the Liam Mellows we are presented with. Images of him show a young man with a serious demeanor. It is evident in his face that he is an intelligent and understated man. We know that he was able, determined, dedicated to his beliefs, and clearly very hard working. From a young age he was held in very high regard by Thomas Clarke and James Connolly, and was entrusted with the task of mobilizing the west of Ireland. He earned the trust and respect of the men he led. He would of course have been aware in his months in hiding and during his escape that his capture could very likely lead to his death. But I can’t help but wonder if, when handed this black veil to wear, he raised a smile, or perhaps an eyebrow.

Liam Mellows in disguise with Alfie Monahan on his right, Father Sweetman with Sean Etchingham behind (NMI Collection)

© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.

Categories
1916 Rising Irish Women

The Bullet in the Brick – the murder of Francis Sheehy-Skeffington and the madness of Captain Bowen-Colthurst, 1916

Portobello Barracks brick with bullet, 1916 (NMI Collection - EW.683)

The kind of objects relating to the 1916 Rising which have become part of the National Museum of Ireland’s collection over the last century are varied, and by their very nature includes the most ordinary of objects made extraordinary by the events of the time.

This half brick formed part of the wall at Portobello Barracks, now Cathal Brugha Barracks, until April 1916. Embedded in it is a bullet fired by the firing squad which executed Francis Sheehy Skeffington on the order of British Army officer Captain John Bowen-Colthurst. It was given to Hanna Sheehy-Skeffington, Francis’ widow, in 1935, and she donated it to the museum in 1937.

Portobello Barracks brick with bullet, 1916 (NMI Collection - EW.683)

Francis and Hannah Sheehy SkeffingtonFrancis Skeffington met Hanna Sheehy in 1896, and they married in 1903. They shared their socialist and nationalist views, and as ardent feminists, the Sheehy-Skeffingtons co-founded the Irish Women’s Franchise League in 1908. Francis was a committed pacifist, and had campaigned against recruitment to the British Army regiments in 1914 at the outbreak of the war in Europe.  He had also opposed the increasing militarisation of nationalist organisations such as the Irish Citizen Army, and when the Rising broke out on 24 April 1916, he went to the city centre to appeal for calm. On the evening of Tuesday the 25th, on his way home to 11 Grosvenor Place, he was arrested and brought to Portobello Barracks. Although a search revealed nothing more than a draft form of membership of a proposed civic guard (to prevent looting in the city), and no charge was made against him, he was detained for further enquiries.

Captain John Bowen-Colthurst

At this time, Portobello Barracks was officially under the command of Colonel McCammond who was absent on sick leave, leaving the command to Major James Rosborough. The barracks was also suddenly filled with soldiers from numerous regiments who were on leave in Dublin and reported for duty to their nearest barracks when the Rising broke out. The site must have been in a state of some confusion.  Captain Bowen-Colthurst of the Royal Irish Rifles, originally from Dripsey, Co. Cork, was a decorated officer. He had fought in the Boer War and afterwards served in India, including the 1904 British military incursion into Tibet. He had been injured while leading a disastrous attack against a German position on the western front in September 1914 and was sent back to Ireland. He was attached to the 3rd Battalion stationed at Portobello Barracks when the Rising broke out.

Richard O'CarrollIt seems Colthurst became quite frenzied at the outbreak of the Rising. In the late hours of Tuesday 25 April he led about 40 soldiers out of the barracks in search of ‘Sinn Feiners’ (the Sinn Fein party were at that time mistakenly believed to be responsible for the Rising), taking Sheehy Skeffington with him as a hostage. As they headed towards the city Colthurst shot dead James Coade, a 19 year old mechanic, on the Rathmines Road. Richard O’Carroll, the Labour Party Councillor and Quartermaster of C Company, Irish Volunteers was delivering ammunition to the garrison outpost at Northumberland Road when he was pulled from his motorcycle and shot through the lungs. O’Carroll later died of his injuries on 5th May. Another man, Patrick Nolan was shot by Colthurst outside Delahunt’s Grocery shop, but brought to the hospital at Dublin Castle and survived.

When the raiding party reached Camden Street they entered the tobacconist shop of Alderman James Kelly, arrested Thomas Dickson (editor of The Eye Opener) and Patrick McIntyre (editor of The Searchlight), and brought them to Portobello Barracks. The soldiers fire-bombed the shop on Colthurst’s orders. Kelly was not present at the time and, though unconnected to the Rising, he was later arrested and interned, and released 16 days later.

Memorial wreath at the wall where the shootings took place (from Irish Volunteers.org)At the barracks, Colthurst ordered that the three civilian prisoners be taken from the detention rooms in which they were held and brought to the yard. At about 10am on the morning of Wednesday 26th he ordered a firing squad of 7 soldiers to shoot the three civilian journalists. In a moment of clarity, Colthurst reported the action to his superior, a Major James Rosborough, saying that he had shot the three prisoners on his own responsibility and that he might possibly be hanged for it. Rosborough asked him for a written report, and Colthurst was confined to barracks duties. The bodies were hastily buried in the grounds.

Irish Citizen newspaper, Memorial Number, July 1916

Hannah Sheehy Skeffington and son Owen, 1916 (Library of Congress)On Friday 29th April Hanna Sheehy Skeffington arrived at the barracks to enquire about her husband, having been told by the police that she should ask there. Colthurst denied all knowledge of her husband, and threatened her with arrest. That evening, he led a party of soldiers in a raid on her home as she was putting her son, Owen, to bed, and took a large quantity of papers and books with the intention of finding incriminating evidence to justify the shooting. One paper that was probably found in this raid and produced at Colthurst’s eventual court-martial was a copy of the widely available Secret Orders Issued to the Military (the forged ‘Castle Document’) with the claim that he found it on Francis Sheehy-Skeffington’s person when he was arrested.

Bowen Colthurst arriving at Richmond Barracks for his court martial June 1916 (NMI Collection)

Major Sir Francis Vane, serving out of Portobello Barracks, had reported Colthurst’s actions to the authorities in Ireland during the week but found them not only unreceptive to the complaint, but himself relieved of his duties, and the subject of a campaign against his character. He then reported to the military authorities in London, which led to Colthurst being placed under open arrest on 6th May. He was court martialled on 6 June and found guilty of the murders, but insane. He was admitted to Broadmoor Lunatic Asylum for one year, after which he was found to be recovered and released. He emigrated to Canada on a military pension where he died in 1965, never returning to Ireland. His family home in Dripsey was burned down during the War of Independence as retaliation for the murders.

Sir Francis Vane found that his actions in reporting Colthurst led to the ruin of his career, being relieved of his employment in the military, and all his attempts to publish his experiences were foiled by the military censor.

Major Sir Francis Vane, photograph autographed for Owen Sheehy Skeffington (NMI Collection)

In December 1935 Hanna Sheehy Skeffington, who had campaigned tirelessly for justice for her husband, received a parcel containing a half brick with a .303 bullet embedded, accompanied by a letter explaining its context from F. McL. Scannell. It tells the story of how he came to have the object.

Dear Mrs Sheehy Skeffington,

The following is an account of how a half brick, in which is embedded a bullet that passed through your husband’s body, came into my possession.

I always considered that you should have it, but considered it too gruesome a souvenir to offer you.

After the three unfortunate victims had been murdered Bowen Colthurst made frantic efforts to wipe out all the traces of his crime which, in the shape of three sets of bullets in the wall, proclaimed to all and sundry who passed that way one of the first actions of ‘a Soldier and a Gentleman’ with which we became so familiar as the struggle went on.

With that object he had several bricklayers, who were working on a large building then being built for the British Government in Dublin, were taken with their tools, in basses, a kind of soft basket without cover but having two handles for carrying them by, to Portobello Barracks.

They were kept surrounded by British Soldiers with fixed bayonets, pointed at them. There were kept for a considerable time in this uncomfortable position, and then harangued at considerable length as to the consequence of divulging anything whatever of what they saw or did.

They were then marched with their ‘escort’ to the wall where the ‘executions’ had been perpetrated, still surrounded by fixed bayonets. They were then instructed to remove all the bricks with bullets in them and replace them with new ones which Colthurst had already a supply awaiting.

While this was being done the soldiers told them where each of the victims had stood. The spot being repaired by the man I knew was where your husband had been placed.

When the work had been completed the old bricks were left in a heap, obviously for the British to destroy.

The bricklayers were once again marched away and given another lecture as to what their fate would be if they breathed a word of what happened in the Barracks. They were kept surrounded by the wall of bayonets for a considerable time, evidently to ensure that their nerves were in the proper condition, before being marched to the gate where with a final caution they were sent away.

It was during this last tirade of frightfulness that the man I knew noticed that a portion of a brick was in his bass. He was too frightened to say anything about it. I met him shortly after and he told me what had happened and made me promise not to give him away. He asked me what he should do with the brick as he was afraid to keep it. I told him I would take it and he gave it to me.

I have kept it in my house ever since.

I tried through some of the ‘Boys’ to get in touch with you shortly after I got it but you were then endeavouring to reach America, and I could not do so.

Although I knew you were the one with the greatest right to it I could not bring myself to offer such a ghastly memento and so rake up wounds which will never be forgotten.

Newspaper reporting of the Bowen-Colthurst court martial, June 1916 (NMI Collection)

The findings of 1916 court martial remained controversial, and it has been asserted from that time that the military conducted a cover up in order to ensure that his commanding officers could not be held responsible for Colthurst’s actions. A conclusion of ‘Guilty, but insane’ allowed the event to be put down as the actions of an individual mad man.

But the existence of the bullet in the brick raises a question – if Colthurst was responsible for the order to replace the damaged bricks, does this imply that he was aware of what he had done and what the consequences would be, and deliberately attempted to cover the crime? Would such an action then prove compos mentis – that Colthurst was sane?

Evidence given in the court martial portrayed various sides of the officer. Some testified to his character, describing him as kindly and considerate, but more unbalanced after his return from France. Major General Bird’s testimony on made clear that Colthurst recklessly sacrificed his men during the actions around the retreat at Mons and at Aisne in 1914, remarking that when agitated and fatigued he was not responsible for his actions.

Dr Parsons had treated Colthurst on his return from the front and noted his extreme nervous exhaustion at that time. He saw him again at the time of the court martial and opined that he was close to a nervous breakdown, relating how Colthurst talked mostly about the fighting at Mons and how he spent time reading the Bible in the hours before the shooting of the journalists.

Captain E.P. Kelly testified that he witnessed Colthurst in Portobello Barracks on the day of the shootings; ‘half lying across the table with his head resting on his arm, and he looked up occasionally and stared about the room, and then fell forward again with his head on his arm’. Such evidence would suggest Colthurst was suffering from shell-shock, now known as post-traumatic disorder.

However, Colthurst was also known to occasionally commit acts of an ‘eccentric’ nature. A Major Goodman of the Curragh Camp had known Colthurst since 1904, when they were stationed in India. He told of how he shot a dog that had barked during the night. When he asked if the dog was dead Colthurst answered no, but that it was sufficiently wounded to die. This, alongside rumours of previous brutalities against prisoners and civilians, would indicate a tendency towards brutal behavior. Colthurst himself professed that he was carrying out his duty, believing he had the right to shoot rebels under the terms of martial law, and that in any other country except Ireland it would be recognized as right to kill rebels. Certainly, his raid on the Sheehy Skeffington household in an attempt to find incriminating documents would suggest that Colthurst was sane enough to determine what he needed to find to defend his actions.

There are conflicting memories surrounding the repairing of the wall in Portobello Barracks, with one claim that the military organized for the Royal Engineers to fill in the bullet holes, and another, Hanna Sheehy Skeffington, saying that bricklayers were brought in by Colonel McCammond on 7 May, the day after Colthurst was placed under arrest, to replace the bloodstained bricks with new ones. The account in the letter that accompanied the brick is the only one of the three that suggests Colthurst himself organized the repair, but contains no date or other details to support this and may have been a natural assumption at the time on the part of its author.

However there is little doubt that the brick did in fact come from a bricklayer who was forced to repair the wall, and is the material evidence of the attempt to cover the murder of the three journalists in Portobello Barracks in the middle of Easter Week 1916, whether by the military authorities or by Colthurst.

Portobello Barracks brick with bullet (NMI Collection - EW.683)

© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.