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1916 Rising World War I

The First Airship in Dublin?, Sackville Street, 26 May 1916

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I came across a wonderful original photograph album in the stores last week. It’s a little unusual, as many of the albums we have in the collection are of souvenir postcard photographs showing the destruction of the city centre after the Rising, which were on sale quite soon after the event.  The album is described simply as photographs taken after the Sinn Fein Rebellion May 1916, with handwritten notes describing the location of each photograph, and was acquired by the museum from a Mr Smith in 1975.

As I went through it a particular image caught my eye. It was a little different to the others, which were shots focusing on the damaged buildings and streets. This photograph had no apparent focus, until I looked very closely. The text underneath reads ‘The first British airship to visit Dublin coming up Sackville Street’. And there, only vaguely visible over the street, is an airship!  Also noticeable in the photograph are groups of people looking upwards in its direction; a group of people have gathered around the statue of Sir John Grey in the centre of the street, and to the right of the image the drivers of a horse drawn cart appear to be turning around to get a view of it.

This unusual event was reported in The Irish Times on 27 May. ‘A British airship, flying the naval ensign and bearing the Allied distinguishing mark – coloured circles – on its rudders, appeared over Dublin yesterday (Friday 26 May), and attracted very keen attention. It was first noticed east of the Custom House, and, after flying over the neighbourhood of Amiens Street Station, passed over the ruins of the Imperial Hotel, crossed Sackville Street, then turned south nearly as far as the offices of the Port and Docks Board. It then proceeded eastwards over the Liffey, and performed some evolutions over the buildings on the South Wall. As it came low an excellent view of its design was obtained by the hundreds of persons observing its movement. Three figures could be seen in the airship. The navigating officers acknowledged the cheers of the crowd by waving their hands’.

Another airship was sighted a month later on Thursday 20 July, and the Irish Times described it as an airship ‘of a type not previously seen by the citizens’, which manoeuvred slowly over the city for about half an hour.

This begs the question as to why this airship flew over Dublin on these days.

A second photograph shows it passing over D’Olier Street, which is clear enough to identify what type of airship it was.

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The shape of the balloon envelope and the car underneath matches the SS Class blimp (Sea Scout or Submarine Scout) which the Royal Naval Air Service put into production in February 1915 after the Imperial German Admiralty declared that all enemy merchant vessels found in the waters around Great Britain and Ireland would be destroyed. These airships were equipped with bombs and a Lewis machine gun, as well as a camera, and would act as escorts for ships to protect them from the threat of the German U-boat.

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As the SS Class blimp carried a camera, I suspect the purpose of this ship’s flight over Dublin was to take aerial photographs of the city centre. Aerial reconnaissance was well established by 1916, and there had been major developments in the quality of cameras. It is estimated that over a million photographs were taken by British forces during the course of World War I.  If the Dublin airship did take aerial shots of the post-Rising city I have not yet found them in a public collection, but I will keep looking.

So was this the first visit of an airship to Dublin?  The first airship stations in Ireland, such as Malahide and Johnstown Castle in Wexford, weren’t built until 1918, so this airship must have travelled from a station somewhere around the west coast of Britain, the closest being Anglesey and Pembroke, or was possibly on anti-submarine patrol in the Irish Sea.  Ces Mowthorpe, in his book Battlebags, records that the SS-17 broke free of its moorings in Luce Bay in Scotland, probably sometime in 1915, and drifted across the Irish Sea, complete with crew, until they were able to land in Ireland. However, that ship most likely landed in the northern Irish counties, so this rare photograph in the Smith album may well be an image of the first airship in Dublin.

© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.

Categories
1916 Rising

Metropole Hotel bowls, Sackville Street, 1916

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Just a few doors down from Elvery’s (where the cricket bat met its end) was the Metropole Hotel.  Situated directly next to the General Post Office, and occupied by about 22 members of the Irish Volunteers under the command of Oscar Traynor during the Rising, it came under direct fire from the British Forces and was burnt to the ground in the fires that spread though the city centre. This stack of five bowls, fused together and blackened by the fire, was picked up as a souvenir and later donated to the National Museum in 1939.

ImageThe Metropole Hotel was actually four Georgian houses renovated as a hotel in the 19th century. It was located on the corner of Sackville Street and Prince’s Street, next to Eason’s & Son newsagents, D. Dimmit & Son’s insurance office, an office building (Browne’s), and Manfield & Sons shoe shop on the corner of Middle Abbey Street. On the evening of Tuesday 25th April a garrison of Irish Volunteers, mostly just arrived into the city centre from Fairview and Summerhill, was ordered to occupy this block of buildings by digging through the interior walls, and to erect barricades and post men at windows and other vantage points for defence from British snipers on Abbey Street.  According to Oscar Traynor, they entered the Metropole and gave notice to the guests that they had fifteen minutes to leave. Over the next few hours there was a series of written communications between James Connolly and D. H. Oliver, the hotel manager, organizing passes to ensure the safety of the remaining guests and himself as they left the city centre. Supplies such as bedding and food (and the odd cigar) were also requisitioned, one example in the NMI (for bread, onions, sausages, mutton and chicken) is signed for by Liam Tannam as ‘received on behalf of the Irish Republic’.

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The fighting intensified from rifle fire on Tuesday to shelling by Wednesday night. As the Metropole garrison held their position, they watched the fires taking hold on the other side of Sackville Street, and tried to signal the men there to leave. After an almost quiet start to the Rising, the street was in chaos at this stage. Joseph Good, an Irish Volunteer from London, described the experience in his witness statement to the Bureau of Military History. He was posted to the top floor of the hotel as lookout, along with 12 young civilian lads who had asked to join the fight, whom he described as ‘rather depressed; long gazing at burning buildings caused them to moan in their sleep’.

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D.H. Oliver also gave an account of what he saw in his short diary of the week (NMI Collection). His view was probably representative of the opinion of many in Dublin that week, writing on the Wednesday ‘What a row the big guns make, rather terrifying but still glad to hear. The devils must quake at the Met’. He observed a dead civilian lying on the street near O’Connell Bridge, and witnessed groups of panic stricken people trying to leave the area, ‘some with white flags, others wrapped in white cloths and blankets, some holding up hands. They all seemed of the poorer class and the sight was a most moving one’.

It seems the roof of the Metropole was set on fire by an incendiary bomb sometime on Thursday night, but the outpost was considered vital for defence and so was not evacuated until the official order came through on Friday, at which point the building was firmly ablaze. The G.P.O. was also in flames and being evacuated at this point, and Frank Henderson stated that in the confusion the men at the Metropole were nearly forgotten until Sean MacDermott sent him to tell them to follow the main body into Moore Street via Henry Street. As they ran across Princes Street into the G.P.O., another Irish Volunteer Londoner who went by the name of John Neale was hit, the bullet exploding his ammunition pouch and ripping open his lower torso. He died of his wounds the next day.  The hotel was burned to the ground by Friday night.

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Of all the objects in the collection that represent the destruction of Sackville Street, for me the bowls from the Metropole Hotel are the most expressive. They’re such an everyday, common object that sits on a shelf of any home, and I can imagine them sitting stacked on a dresser in the restaurant or kitchen, ready to be used. But these bowls are blackened and fused by the fires, and ingrained with soot and ash. There is even a river of molten glass along one side, presumably from a glass vessel that was next to it which melted in the extreme heat. Considering the complete destruction of the building, it’s amazing they survived in this form at all.

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As for the Metropole Hotel itself, by 1922 it had been rebuilt in a lovely classical style by architect Aubrey V. O’Rourke, and was opened as The Metropole, containing restaurants, bars, a ballroom and cinema. It was closed in 1972 and sold to the retail chain British Home Stores (BHS), and was subsequently demolished and replaced with a new concrete building. It’s now home to the O’Connell Street branch of Penny’s.

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© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.

Categories
1916 Rising

Elvery’s cricket bat, Sackville Street, 1916

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I decided that the first post of the blog obviously had to be on the Elvery’s cricket bat, with its bullet lodged in the front section. It was donated to the museum’s Easter Week Collection in 1981, and quickly became a firm favourite among the staff, who came to affectionately call it The Cricket Bat that Died for Ireland. The object itself is pretty descriptive of much of the NMI’s collection relating to the Independence period – lots of souvenirs and relics picked up and kept by the people who witnessed events or their aftermath, and eventually finding a home in the museum.

The bat had the misfortune of being on display in the shop front of Elvery’s store on O’Connell Street, then Sackville Street, during the Easter Rising. J.W. Elvery & Co. was Ireland’s oldest sports store, specialising in sporting goods and waterproofed wear, with branches in Dublin, Cork (Patrick Street) and London (Conduit Street). The shops had a distinctive figure of an elephant above the front door, giving them the name Elvery’s Elephant House. Its city centre branch was at this time located at 46 & 47 Lower Sackville Street (now a Supermac’s, sadly without the elephant though its plinth is still there), and even got a mention in James Joyce’s Ulysses.

Its location, about one block from the GPO, meant it was in the middle of the cross-fire and general destruction of the main street. While it’s neighbour the Metropole Hotel was razed to the ground, it escaped the worst, though it was badly damaged. There were also reports of widespread looting on the street from the night of Monday the 24th. The Sinn Féin 1916 Rebellion Handbook, published by the Irish Times in 1917, describes children roaming the streets with sweets, toys and ‘hockey and golf sticks and all kinds of articles used in popular pastimes’, which would certainly suggest Elvery’s was a victim.

The bullet lodged in the wood of the bat is a .303 calibre, which was used by the British Army for both their standard issue Short Magazine Lee Enfield rifles and also Lewis machine guns.  The Irish Volunteers had about 900 1871 model Mausers, landed at Howth two years before, which used .45 calibre ammunition, so the bat was shot by a British gun. Rifle fire on Sackville Street was heaviest on the Tuesday of the Rising, before the fires began to spread on the Wednesday, so it’s possible, though not certain, that the bat was shot on that day.

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Perhaps one of the reasons the cricket bat has captured so many people’s imaginations is the idea of such a symbol of ‘Britishness’ taking a bullet in the rebellion. Maybe the fact that the bullet came from a British weapon adds to the irony. But surprisingly (well, it was surprising to me, not knowing much about sport), cricket had been a popular pastime in Ireland with both the gentry and tenant classes for over a century. It is thought that the game was introduced in the early 19th century by the British garrisons and the landed classes who were educated in England, with teams formed on estates comprising both the Protestant and Catholic population, with the Catholics often being paid to make up team numbers. The first real account of a cricket game here was in 1792, when the Military of Ireland played the Gentlemen of Ireland in the Phoenix Park.

It also became a widely played sport in rural Ireland; John Parnell, father of Charles Stewart Parnell, even founded a club in Avondale, Co. Wicklow in the 1830s. It began to go into decline during the period of the Land Wars from the 1880s, when it came to be more associated with England and the landed aristocracy. The GAA’s 1902 ban on ‘foreign sports’ further fueled its decline (for a history of cricket in Ireland have a read of Gerard Siggins’ Green Days : cricket In Ireland 1792-2005, and Michael O’Dwyer’s History of Cricket in Count Kilkenny – details in the Further Reading section).

Still, the game survived, and clearly remained popular enough for Elvery’s to advertise cricket bats in their shop front display in 1916.

© Brenda Malone. This work is original to the author and requires citation when used to ensure readers can trace the source of the information and to avoid plagiarism.

https://libguides.ucd.ie/academicintegrity/referencingandcitation

Sources and general reading used in the creation of these articles are listed on the Further Reading page.